BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Mapletree - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Mapletree
X-ORIGINAL-URL:https://www.mapletreearts.sg
X-WR-CALDESC:Events for Mapletree
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Singapore
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:+08
DTSTART:20170101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20181017T193000
DTEND;TZID=Asia/Singapore:20181017T193000
DTSTAMP:20260514T032144
CREATED:20230323T055431Z
LAST-MODIFIED:20230323T055431Z
UID:15842-1539804600-1539804600@www.mapletreearts.sg
SUMMARY:Curatorial Consciousness. Participation between Practice and Process
DESCRIPTION:As artists have moved towards models of post-studio practice in which the art object is no longer privileged above other forms\, the gallery itself becomes a site for production\, dialogue\, and debate. In this lecture\, Dr Michael Birchall argues that the museum has transformed itself into a site of participation through the facilitation of socially engaged art projects. Whether socially engaged art commissions manifest inside the museum as installations or sites of activity or outside as collaborations with specific communities\, curators build special relationships with each stakeholder—the museum\, the artist\, and the community—and they have become increasingly aware of the role of their audiences as  participants. \nDr Michael Birchall (United Kingdom) is Curator of Public Practice at Tate Liverpool and Senior Lecturer in Exhibition Studies at Liverpool John Moores University\, United Kingdom. His curatorial practice and research concern socially engaged art\, performance\, and notions of publicness in museums. He has previously held curatorial appointments at The Banff Centre’ Walter Phillips Gallery and The Western Front (both Canada)\, as well as at the Künstlerhaus Stuttgart (Germany). His writing has appeared in Frieze\, ARKEN Bulletin\, OnCurating\, Modern Painters\, C Magazine\, Art & the Public Sphere\, and various exhibition catalogues. Recently\, he co-edited Collective Good/Collaborative Efforts (Stavanger: Rogaland Kunstsenter\, 2017) and co-curated O.K. – The Musical (2017)\, an iterative community theatre musical by Christopher Kline at Tate Liverpool.
URL:https://www.mapletreearts.sg/event/curatorial-consciousness-participation-between-practice-and-process/
ATTACH;FMTTYPE=image/png:https://www.mapletreearts.sg/wp-content/uploads/2023/03/alex-turgeon-the-tilting-at-windmills-2017-courtesy-tate-liverpool.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20181005T120000
DTEND;TZID=Asia/Singapore:20181005T124500
DTSTAMP:20260514T032144
CREATED:20230323T065742Z
LAST-MODIFIED:20230323T065753Z
UID:15876-1538740800-1538743500@www.mapletreearts.sg
SUMMARY:Tour: Culture City\, Culture Scape at Mapletree Business City II
DESCRIPTION:Explore the new art installations nestled in the lush compound of Mapletree Business City II (MBC II). Themed Culture City. Culture Scape.\, this public art project\, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists Dan Graham (United States)\, Zulkifle Mahmod (Singapore)\, Tomás Saraceno (Argentina/Germany)\, and Yinka Shonibare(Nigeria/United Kingdom). \nInspired by the idea of expanded sculptural environments\, the artworks explore the interplay between landscape\, architecture\, and the broader social and economic environments they are placed in. More than being monumental or site-specific\, each work alters or permeates its local context to invite visitors to a broader\, richer engagement. \n++ \nCulture City. Culture Scape. is part of the Mapletree-NTU CCA Singapore Public Art Education Programme\, which includes regular guided tours\, public events\, educational materials\, seminars\, and conferences.
URL:https://www.mapletreearts.sg/event/tour-culture-city-culture-scape-at-mapletree-business-city-ii-2/
ATTACH;FMTTYPE=image/jpeg:https://www.mapletreearts.sg/wp-content/uploads/2023/03/participants-on-tour-of-public-art-trail-at-elliptical-pavilion-2017-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20180907T120000
DTEND;TZID=Asia/Singapore:20180907T124500
DTSTAMP:20260514T032144
CREATED:20230323T070341Z
LAST-MODIFIED:20230323T070341Z
UID:15882-1536321600-1536324300@www.mapletreearts.sg
SUMMARY:Tours: Culture City. Culture Scape. Guided Tour at Mapletree Business City II
DESCRIPTION:Explore the new art installations nestled in the lush compound of Mapletree Business City II (MBC II). Themed Culture City. Culture Scape.\, this public art project\, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists Dan Graham (United States)\, Zulkifle Mahmod (Singapore)\, Tomás Saraceno (Argentina/Germany)\, and Yinka Shonibare(Nigeria/United Kingdom). \nInspired by the idea of expanded sculptural environments\, the artworks explore the interplay between landscape\, architecture\, and the broader social and economic environments they are placed in. More than being monumental or site-specific\, each work alters or permeates its local context to invite visitors to a broader\, richer engagement. \n++ \nCulture City. Culture Scape. is part of the Mapletree-NTU CCA Singapore Public Art Education Programme\, which includes regular guided tours\, public events\, educational materials\, seminars\, and conferences.
URL:https://www.mapletreearts.sg/event/tours-culture-city-culture-scape-guided-tour-at-mapletree-business-city-ii/
ATTACH;FMTTYPE=image/jpeg:https://www.mapletreearts.sg/wp-content/uploads/2023/03/participants-on-tour-of-public-art-trail-at-elliptical-pavilion-2017-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20180816T173000
DTEND;TZID=Asia/Singapore:20180816T220000
DTSTAMP:20260514T032144
CREATED:20230323T064009Z
LAST-MODIFIED:20230323T064126Z
UID:15868-1534440600-1534456800@www.mapletreearts.sg
SUMMARY:Mapletree–NTU CCA Singapore Public Art Education Programme
DESCRIPTION:Sound Performance and Guided Tours \n\n5.30pm\nGuests to Arrive/ Photo-taking at LED Wall\n\n\n5.50pm\nWelcome by NTU CCA\n\n\n5.55pm\nSpeech by Mr Edmund Cheng\n\n\n6.00pm\nPresentation of Token to NTU CCA\n\n\n6.05pm\nStart of Art Tour for Mapletree Directors\n\n\n6.05pm\nStart of Sound Performance by Zulkifle Mahmod\n\n\n7.15pm\nGuided Tour MBC II\n\nMeeting point: Sonic Pathway Installation\,  80 Mapletree Business City II
URL:https://www.mapletreearts.sg/event/mapletree-ntu-cca-singapore-public-art-education-programme/
ATTACH;FMTTYPE=image/jpeg:https://www.mapletreearts.sg/wp-content/uploads/2023/03/Zul_3-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20180516T193000
DTEND;TZID=Asia/Singapore:20180516T193000
DTSTAMP:20260514T032144
CREATED:20230323T064349Z
LAST-MODIFIED:20230323T064633Z
UID:15871-1526499000-1526499000@www.mapletreearts.sg
SUMMARY:Preventive Publics: The Burning Car in Thomas Hirschhorn’s Installations
DESCRIPTION:Brianne Cohen is an Assistant Professor at the University of Colorado\, Boulder. Her research focuses on contemporary art in the public sphere\, and particularly\, art engaged with concerns of global migration\, postcolonial histories\, political violence\, and environmentalism. She is currently completing a book entitled “Preventive Publics: Contemporary Art and the Idea of Europe\,” which examines art practices that model and instantiate plural publics among masses of strangers in order to prevent sociopolitical violence in 21st-century Europe. She also recently co-edited an anthology\, The Photofilmic: Entangled Images in Contemporary Art and Visual Culture (Leuven University Press and Cornell University Press\, 2016).
URL:https://www.mapletreearts.sg/event/preventive-publics-the-burning-car-in-thomas-hirschhorns-installations/
ATTACH;FMTTYPE=image/png:https://www.mapletreearts.sg/wp-content/uploads/2023/03/Picture1.png
END:VEVENT
END:VCALENDAR